CORDIS Project
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BEYONDREST investigates the implications of returning looted art, focusing on how dispossession shapes knowledge about heritage. It explores the historical context of art removal from the 19th century onwards, emphasizing the relationships between Western Europe, the Near and Middle East, and North Africa, and the ongo…
On the backdrop of ongoing debates to decolonialize museums, BEYONDREST asks if the return of looted art can be regarded as a closure of historical wounds.
The project probes the focus on restitution that inadvertently casts dispossessed art in terms of contested property.
Instead, BEYONDREST explores what kind of loss dispossessed art engenders, and how this loss has shaped the knowledge production on heritage.
It focuses on the interlocution between Western Europe, the Near and Middle East, an…
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