CORDIS Project
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This project explores the emotional expression in opera through the analysis of 4,000 digitized arias from 200 scores based on Pietro Metastasio's dramas. By examining how composers convey emotions through music, it aims to enhance opera performance, music analysis, and composition techniques, including applications in…
The belief that ‘the end of music is to move human affections’ (Descartes, Compendium musicae) has been a central issue in European musical thought since Plato.
Opera was invented to recover the power of Ancient music to move the human heart, and its history is a permanent exploration of the capacity of action, words and music to convey emotions.
In the eighteenth century a new type of opera consolidated with the chief concern of expressing the character’s emotions as they changed throughout the…
UNIVERSIDAD COMPLUTENSE DE MADRID
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