CORDIS Project
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This program examines the historical use of the concept of the sublime in public works and performance art in Amsterdam and Paris. It aims to understand how these artistic expressions influenced political legitimacy and public perception during early modern Europe.
By focussing on how the sublime was used in Amsterdam and Paris in grands travaux and in the theatre and spectacle as part of a strategy to persuade the population of the regime’s legitimacy, this program aims to reconstruct an unknown part of the history of the sublime, and lay the foundation for a study of its role in the visual arts and the theatre of early modern Europe.
The hypothesis of this program is that early, often hitherto unknown editions and varieties of the sublime from France and…
UNIVERSITEIT LEIDEN
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