CORDIS Project
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This research project investigates the concept of 'the real' in fine arts during the Cold War, focusing on its application in France, West Germany, East Germany, and Poland. It aims to analyze how this notion influenced artistic practices and societal models on both sides of the Iron Curtain.
The notion of the real is used in a recurrent manner throughout art history concerning the period since the 1960s.
It is applied to neo-avant garde practices, the return to the figurative, research on the abolition of borders between art and life, and photography.
Nothing is more remarkable than seeing such different art practices side by side under the same banner on both sides of the Iron Curtain, East and West.
Next to the notions of freedom, economics and equality, the real is a fundamental…
Deutsches Historisches Institut Paris
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