CORDIS Project
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This research explores the historical significance of olfaction in art, particularly focusing on the smell of paint from the mid-18th century to the early 20th century. It examines how medical concerns influenced artistic practices and the perception of artists, culminating in a sensory educational tool for museum visi…
“Intoxicated by turpentine.” When Marcel Duchamp so described the painters of his time, the avant-garde artist was not only criticizing a traditional way of thinking about the materiality of art, he was also modernizing a commonplace of medical discourse as well as a recurring and significant motif in the French commentary on the arts.
Investigating historically the stereotype of “the smell of paint,” this research project seeks to underscore the important role of olfaction in the material histo…
UNIVERSITE LUMIERE LYON 2
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